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UK / Duration=1hour 31 minutes / star=Alice Lowe / genres=Drama / 
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Who are subhumans that disliked this. Full movie sometimes always never comes. Sometimes Always Never Directed by Carl Hunter Written by Frank Cottrell Boyce Starring Bill Nighy Sam Riley Alice Lowe Jenny Agutter Tim McInnerny Release date 12 October 2018 ( BFI London Film Festival) Country United Kingdom Language English Box office 1. 45 million [1] Sometimes Always Never is a 2018 comedy-drama film, directed by Carl Hunter and written by Frank Cottrell Boyce. The film is produced by Sol Papadopoulos, Alan Latham, and Roy Boulter under the banner of Hurricane Films. The film stars Bill Nighy, Sam Riley, Alice Lowe, Jenny Agutter, and Tim McInnerny. Cast [ edit] Bill Nighy as Alan Sam Riley as Peter Alice Lowe as Sue Jenny Agutter as Margaret Tim McInnerny as Arthur Reception [ edit] On the review aggregator Rotten Tomatoes, the film holds an approval rating of 89% based on 46 reviews, and an average rating of 7. 05/10. The website's critical consensus reads, Like the grieving Scrabble enthusiast at the heart of its unique story, Sometimes Always Never scores high enough to be well worth a play. 2] Metacritic reports a score of 71/100 based on 9 critics, indicating "generally favorable reviews. 3] Kambole Campbell of Empire wrote, Despite strong performances and a witty script, Sometimes Always Never lays on the homage a little too thick for its own good, shortchanging itself by imitating a particularly idiosyncratic style. 4] Wendy Ide of The Guardian wrote, The danger of an offbeat British film, particularly one that is as emphatically designed as this, is that it could teeter into whimsy and artifice. But thanks to Cottrell Boyce, and the assured direction of first-time feature film-maker Carl Hunter, the emotional beats are authentic and the distinctive look of the film – it takes its aesthetic cues from '60s ties and '70s wallpaper – never upstages the story. 5] References [ edit] External links [ edit] Sometimes Always Never on IMDb.
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8 /10 a portrait of a family desperately unable to communicate A single delicious narrative conceit drives the delightful Sometimes. Always. Never. (2018. It takes its own sweet time getting there, but when it does, it hits home: you can be an expert in words and their rules but be incapable of meaningful expression. Add a Scrabble obsession, mix it with deep grief and guilt, and you have a portrait of a family desperately unable to communicate with each other. The simplicity of the plotline stands in stark contrast to the complexity of its themes. Dapper rule-bound tailor Alan (Bill Nighy) is told that the body of his long-missing son Michael may have been found. He takes his younger estranged son Peter (Sam Riley) with him to identify the body, and at the morgue they meet other parents who are there for the same reason. It's a diversion that does little to advance the narrative, but it does provide comic respite from the pain of loss. Both relieved and disappointed with the outcome, Alan invites himself to stay with Peter and his family in the hope of reconciliation. With a threadbare plot, the power of this film comes from its theatrical settings, intelligent banter, and Nighy's trademark whimsical mannerisms and stylised performance. The label 'fantasy drama' has been applied to this film but is mis-leading and manifestly inadequate. If there is an element of fantasy, it derives from the way many scenes are played out against backgrounds that are have a surreal, even an absurdist two-dimensional feel that resembles a theatre set. Like all absurdism, there is an artful space between the underlying emotional intensity and the futility of ever trying to understand it. The gravelly Nighy is a master of under-statement, with a unique talent for giving shallow dialogue depth and humour. It's all about contrasts: Alan's obsession with a missing son and neglect of the son he still has; his fastidious Dymo labelling of everything as a substitute for control in his world; and his ability to make light of the heaviest emotions. If you are not a Nighy fan or prefer action-based stories, you may find little to appreciate in this film. In place of a forward-moving narrative it offers a portrait of a dysfunctional family torn apart over guilt and the inability to emotionally connect. The film's title is itself a parody of form over function, referring to the tailor's rule for how jacket buttons should be fastened: the top always, the middle sometimes, the bottom never. With no substantive relationship to the film's content, it's a rule as good as any on how to live one's life. 20 out of 26 found this helpful. Was this review helpful? Sign in to vote. Permalink 6 /10 Difficult to categorise but enjoyable enough. 'Sometimes Always Never (2019) is a bit of an oddity, I suppose, because of its combination of mundanity and quirkiness. It tells a grounded - though, ever-so-slightly absurdist - story with a real emotional weight to it, often with genuine subtlety but more frequently with a strange sort of passivity, and tends to toe the line between comedy and drama to the point that a distinction between the two isn't really worth making. It's not like it's particularly unfocused or haphazard, however, as it certainly feels calculated. Yet, even in its almost articulated unwillingness to conform to convention, there's a sort of intangible sense that it doesn't quite know how odd it is. It's exactly what it wants, and needs, to be. As you can tell, it's a fairly difficult experience to categorise. All in all, though, it's an enjoyable one. It has a compelling central theme and a nice set of main characters, even if the former isn't fleshed out as much as you'd like thanks to a somewhat baggy mid-section. The tone of the thing also fluctuates a little. Usually, it balances the serious with the silly, making sure that both do a decent job of developing character, but there are some moments that make you wish the movie would make its mind up as to whether or not its world is actually 'heightened' which could be pushed further, if that is the case. It sometimes sounds overly 'written' too; this isn't necessarily a bad thing, but the sequences where you actually notice the writing pale in comparison to the ones where you don't. I'll also say that, while it's well directed overall, there are some visual stylistic choices that I don't think pay off. Of course, these issues don't prevent the flick from being generally entertaining. It's somewhat endearing, with great performances and (from what came through in the final result) a good screenplay. It's not perfect, or indeed overly satisfying, and its odd tone - or general 'status' I guess - does make it a bit difficult to get a handle on. Still, it's a good effort that nicely tells a personal, rather unique story. 6/10 13 out of 16 found this helpful. Loved the quirkiness of the film I loved the movie. Bill Nighy is superb in anything he does, the rest of the cast were wonderful. It was written with humour, wittiness with a hint of sadness. 19 out of 28 found this helpful. Such a clever script and concept- What a clever quirky little movie that proves when done well the British succeed where other fail. No plot or spoilers here as it would ruin the movie but all the performances headed by Bill Nighy as Alan are superb. Bill Nighy plays droll eccentric old men better than anyone I can think of I can't imagine anyone else doing justice to this role. The last time I saw Bill Nighy in a movie was The Bookshop and even though it was not the starring role, he played an almost Dickensian character he stole that movie The only thing I'll say about the story is that it's about two families, both have suffered loss and both are bought together by the game of Scrabble. The supporting cast of Sam Riley as Peter Alan's son and Jenny Agutter, out of habit as Sister Jullienne) well and truly in this film plays Margaret touchingly and with great humour, this is a very funny movie, almost a comedy but with a lot of pathos Tim McInnerny as Margaret 's droll husband is also very good. Also the rest of the cast Alice Lowe, as Peters wife and Oliver Sindcup as young Peter are very very good. Frank Cottrell Boyce, who wrote screenplays for Goodbye Christopher Columbus, Railway Man, and Hillary and Jackie among other films and television is one of the most respected writers for the British screen and it's easy to understand why. I don't know much about director the Carl Hunter but if Sometimes Always Never is an example of his directing I hope to see more of his movies. Don't miss this one. 16 out of 23 found this helpful. 10 /10 Nigh on genius Quaint, quiet, quirky - call it what you will. It wore its heart on its sleeve and didn't pretend to be anything more than it was; a personal tale about family and the effect of loss on those who remain. Even without all the crash, boom, bang of a tentpole blockbuster, a movie can still pack a punch. Moreso if it delves into the metaphysical. Bill Nighy is in top form but so are the supporting cast in less bombastic but crucial. supporting roles. Alexei Sayles is surreal! Heaps of effort has gone into making the visuals of each 'simple' scene pop off the screen. You appreciate so much more of these modest films when you see them on the big screen. Do yourselves a favour. I laughed quite a bit too. 18 out of 27 found this helpful. gentle masterpiece Loved this one, beautiful in every way. Judicious use of animation and old home video. 17 out of 27 found this helpful. 2 /10 Style over any semblance of substance There's honestly nothing in the movie story wise. Instead it's a film made like a love letter to the worst parts of Wes Anderson. Angles, gimmicks, kitsch - and repeat and repeat and repeat. No pacing, no heart and no memorable moments Very disappointing 24 out of 45 found this helpful. 5 /10 Not even my love for Bill Nighy could draw me in I so wanted to love this film. All the right ingredients but none of the pathos required to draw me in. Every time I got close to feeling something the film flashed up another Wes Anderson-esque quirk-with none of the meaning that so cleverly underpins his work-and made me feel like I was a spectator. Great ideas suffered from a flat execution. 15 out of 26 found this helpful. Really awkward I rarely dislike films but I found this one painfully awkward and predictable. 16 out of 29 found this helpful. Bill Nighy and Marmite I will watch pretty much any film with the wonderful Bill Nighy. Just watched this one and not sure what I think of it. His character, wildly knowledgeable when it comes to Scrabble, was 100% wrong when he stated that Marmite is banned in Canada. No, my friend, it definitely isn't. I have a jar in my own cupboard. I actually had to have a look and confirm that it is, indeed, Marmite, and not the poor substitute Vegemite (which he claimed was the only option for Canadians. Marmite has been available here for at least 10 years and, since the film obviously takes place in the present, he was just plain wrong. Now I'm thinking that if the availability of Marmite is my lingering thought after seeing this film, how memorable was it? It DOES meander, as others have said. It DOES try awfully hard to be visually quirky to the point of being absurd at times. It does convey somewhat the damage done to people when someone they love goes missing. There's no closure; they spend their lives from that point on grieving, wondering, blaming, searching and, likely, never really having a carefree moment again. That was certainly brought home to me in all its sadness. If you need cheering up, this is not the film for you. Is this a vitally important film? No. Not even sure why it was made. It's like reading a short story, which is what it was based on, finished in 90 minutes or so and easily forgotten. 7 out of 11 found this helpful. 7 /10 Still and clear photography! It is a joy to watch it. First, because of its style of shooting and second, because of its clear and rich colors. It looks as an brilliant school art, designed precisely. On the other hand it is a good story, done in some traditional and emotional way, and who is playing in. Bill Nighy is as always excellent, elegant and charming. 2 out of 2 found this helpful. A student movie where experiments rarely work. Warning: Spoilers How can a movie that has so much wrong with it, be watchable through to the end? Well this is such a film. Deeply flawed on just about every level the film leans heavily on Bill Nighy's screen presene to sustain audience attention. But even Bill needs a strong director and this film has been directed by a 'wannabe auteur' who hasn't even got out of film school diapers. There is not one technical area that he doesn't mangle, while the script misses so much potential. Set in Merseyside we have so few examples of scouser wit to enjoy, and even the voice coach only manages to squeeze a slight scouse accent out of Nighy. Performances all round unanimously lack emotion, some actors look as if they have no idea why they are there and some scenes seem to have been edited in from another production by mistake e. g. the Alexy Sayle scene. YET I was amused at times (especially the Bill and Jenny bathroom scene) and loved a few little bits of whimsy, and I did stay to the end. Am not sure why, but I do believe you have to see weak films to really enjoy the strong ones. 13 out of 26 found this helpful. An Enjoyable Flick! Just to address the marmite topic brought up by another reviewer: It was illustrated in the film that Billy Nighy's character Alan was not a reliable story teller. He liked to tell tall tales, like the one about the grandmother with the coal seam in the basement. Going back to the movie, I thought it was quirky like everyone mentioned. I knew it wasn't going to be a straight forward dramedy based on the bizarre, artificial riding in car scenes. It looked like it was done in a 1950s B movie style. Thankfully the movie dials back on that and delivers a fairly straight forward, drama comedy framed around the game of scrabble, but really about Alan and his son Peter, as they try to solve the mystery of the missing son Michael. The body viewing scene (which we don't see) was particularly odd, because we were told that Michael went missing many many years ago when he and Peter were still children. So why would they be called to identify a body? If it was an adult's body, how would they know it was him. Usually they do DNA tests anyway. Other than that weird start, and some scene involving a boat (or did it. much of the movie follows a fairly linear format. I think it helps that every character in the movie had something to offer the movie, and generally everyone was likeable. You kind of hoped there would be a resolution of the 'mystery' but ultimately it didn't really matter. Nothing is really 'solved' by the ending, except maybe Peter wasn't as resentful of his missing brother's 'Prodigal Son' stature, and maybe Alan realized it was time to focus on his existing family. 3 out of 4 found this helpful. Quirky! If it wasn't for the presence of mobile phones and computer games you'd think that this was set in the 60's! Bill Nighy is sparsely twinkly, just enough to make me stay in my seat for the entire film. A good cast, an intriguing storyline, almost a period piece. I think Bill must have it in his contract for every piece he does to wear a good coat. (Apart from Dads Army. A family story Really loved every minutes of the film. For me it was a real story with humor and sadness in the same time. I'm not a young man (40y) so I had a lot of similar experience with my family. The life is the same, you cannot avoid sad things, but always can laugh after the hard times. Thats family, you love and hate eachother, but at the end always love there. The actors were excellent and Bill was the one as usual. I'm happy to be able this film in artcinema even in Hungary. Of course this film is not for the crowd. They just should watch Avengers 11. And finally it was preatty good to see how british people are living. The small house with uspters, small cars, and scrabble of course. Really liked them. 8 out of 16 found this helpful. 1 /10 The last tiles in the bag There is absolutely nothing to this film. Thin story, underdeveloped characters and a meandering pace. It tries to be smart and 'cool' by mixing the present with a 60s retro vibe which makes absolutely zero sense when the main character is playing online Scrabble half of the time. Quite what Bill Nighy was doing in this Ill thought out meandering mess is anyone's guess. To use a Scrabble analogy, it's like drawing 7 consanants with no vowels. Avoid. 10 out of 23 found this helpful. A Confusing Plot! Matches The Game I Guess) The plot of the movie is very hard to follow and requires concentration like a game of scrabble would. But after thinking about the movie for a while, I understood the plot and it all made sense. (It also helped me with a few scrabble pointers. For the concentration to understand, I give it a 7/10. 2 out of 3 found this helpful. Quirky, stylish yet with genuine substance There is an almost surreal air to this film, which at first I found disconcerting: the editing and the photography a little like good, but not perfect, animation; the performances, somehow awkwardly theatrical. Nonetheless, as we learn about the characters: their backstory and motivation, the reasons all begin to make delicious sense. Could it be something to do with father Alan's ( Bill Nighy) insistence when younger upon, for instance, buying his sons Revell rather than Airfix models and playing the cheap substitute for, rather than the genuine Scrabble - a game of which provoked one son to vanish and leave brother (Sam Riley) feeling both bereft and unable to fill the place in his father's life. Is the furniture in the house stylishly, yet incongruously from the 1970s to remind everyone what the everyday world may have looked like when brother Mike disappeared? A beautifully paced and framed film. Wonderful performances, from Nighy, Riley and Alice Lowe as his wife. Tim McInnerny, Jenny Agutter and, briefly, Alexei Sayle, provide those awkward, yet somehow consistent characters; misfits' who make our key characters, and us realise that nobody's life is really that strange. 4 out of 11 found this helpful. A WORK OF ART... ! kmpy 16 January 2020 Every shot of this film is a work of art - the Director, Artistic Director and Cinematographer should all win awards for this film. The sets and backdrops are just wonderful. I could quite happily leave the film on freeze-frame on my wall mounted tv as a painting... The casting was inspired, the dialog is great and the whole thing has just the perfect level of quirkiness. When it finished, I went straight on to to see what else the Director had done and was amazed to see that the answer was, very little else. why. Please let's have more of his work. All in all, the best film I've seen in a long time. 0 out of 0 found this helpful. Sometimes Always Never A man's life is taken up with trying to find his lost son who ran out after a row when playing scrabble, an important game in the the man's life and which he come to believe has links to his son's whereabouts. Quirky and just a bit weird, this is a likeable, mostly light hearted tale that almost entirely relies on Bill Nighy's particular style of delivery to pull off which it just about does. It is a small, rather unique, stage like creation which is often quite funny to watch with Nighy front and centre throughout the whole piece, but with a fine supporting cast - nice to see Jenny Agutter do an atypical role for a change - and so well. Not for everyone though. It felt more like a play than a film The flow of the film felt more like a play than a film. It did have a certain amount of charm though. I thought all the actors did a good job. 3 /10 heartwarming and quirky I loved this movie, sometimes the acting was very theatrical, the angles unusual and the greenscreen amateurish... but then thats the genius. This movie made me think of all those effected by a family loss. those left behind and how the focus then is never on them again. heartwarming and sad. 5 out of 18 found this helpful. This is the worst movie ever. All the cast and crews have written the 10 star reviews for this piece of trash. Such a waste of time! Anything that has to do with watching paint dry, you might like this movie. If you enjoy watching someone sitting at a table while drinking a cup over coffee staring at the wall for five minutes, you might like this movie. You are watching the most boring person on the face of the earth do their routine for what ever reason they are doing it until the camera just stops following them. If this is suppose to be "art. I hate art. 5 out of 19 found this helpful. Offbeat, Quirky and Fun While Helping To Encompass the Morose Narrative Wonderful subject matter with a substandard execution. This family comedy-drama is rife with full-bodied characters and quirky moments delivered with a rich but dry humor. While I enjoyed the mise-en-scène very much, the cinematography was slightly less than adequate and although Bill Night's performance was spot-on his costars were a notch above mediocre. It hit some lulls at parts, but the narrative ultimately powered through and came to a satisfying finish. 1 out of 4 found this helpful. Permalink.
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Critics Consensus Like the grieving Scrabble enthusiast at the heart of its unique story, Sometimes Always Never scores high enough to be well worth a play. 87% TOMATOMETER Total Count: 47 Coming soon Release date: Mar 6, 2020 Audience Score Ratings: Not yet available Sometimes Always Never (Triple Word Score) Ratings & Reviews Explanation Sometimes Always Never (Triple Word Score) Videos Photos Movie Info Alan is a stylish tailor with moves as sharp as his suits. He has spent years searching tirelessly for his missing son Michael who stormed out over a game of Scrabble. With a body to identify and his family torn apart, Alan must repair the relationship with his youngest son Peter and solve the mystery of an online player who he thinks could be Michael, so he can finally move on and reunite his family. Rating: PG-13 (for thematic elements and some sexual references) Genre: Directed By: Written By: In Theaters: Mar 6, 2020 limited Runtime: 91 minutes Studio: Blue Fox Entertainment Cast Critic Reviews for Sometimes Always Never (Triple Word Score) Audience Reviews for Sometimes Always Never (Triple Word Score) There are no featured reviews for Sometimes Always Never (Triple Word Score) because the movie has not released yet (Mar 6, 2020. See Movies in Theaters Sometimes Always Never (Triple Word Score) Quotes News & Features.
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