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Horror
Country: USA
actor: Emma Roberts
writed by: Damon Lindelof
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The Hunt Movie watch video. The Best. Posted on Friday, February 28th, 2020 by Who is hunting whom in the new international trailer for The Hunt? The controversial Blumhouse thriller that was pulled from release, then put back, has a new trailer with a big twist at the center. We all know the premise of this polarizing satirical horror movie: a group of “elites” hunt down “deplorables” as part of a demented game. But not if Betty Gilpin ‘s character has anything to say about it. Watch the new international The Hunt trailer below. The Hunt Trailer The Hunt follows a group of strangers who wake up in a clearing with no memory of how they got there. But they soon discover that they’re the prey in a sick hunting game hosted by a bunch of elites led by Hilary Swank ‘s mysterious woman. But, based on the new trailer, the group don’t spend the entire time running. Gilpin’s character is more than who she appears to be, and soon turns the tides of the game back on the elites. She cuts a bloody swath through the game, and eventually makes her way to Swank’s character for an intense face-off. Written by Damon Lindelof and his fellow Watchmen collaborator Nick Cuse, The Hunt is directed by Craig Zobel ( Z for Zachariah, The Leftovers). Jason Blum produces for his Blumhouse Productions alongside Lindelof. The Hunt also stars Ike Barinholtz and Emma Roberts. Here is the synopsis for The Hunt: Twelve strangers wake up in a clearing. They don’t know where they are, or how they got there. They don’t know they’ve been chosen… for a very specific purpose… The Hunt. In the shadow of a dark internet conspiracy theory, a bunch of elites gathers for the very first time at a remote Manor House to hunt humans for sport. But the elites’ master plan is about to be derailed because one of the hunted, Crystal (Betty Gilpin, GLOW), knows The Hunters’ game better than they do. She turns the tables on the killers, picking them off, one by one, as she makes her way toward the mysterious woman (two-time Oscar® winner Hilary Swank) at the center of it all. The Hunt will now open on March 13, 2020. Cool Posts From Around the Web:.
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The hunt movie watch online. The Hunt Movie watch the trailer. Press Previous Next "RIVETING… PROPELLED BY MADS MIKKELSEN’S SHATTERING PERFORMANCE" "OFFERS A POWERFUL, PROVOCATIVE STUDY OF MOB MENTALITY AND THE FABRIC OF TRUST. " -Philadelphia Inquirer " " -USA TODAY "Mads Mikkelsen is terrific. " "It's easy to see why he won best actor at the 2012 Cannes Film Festival for this performance. " "An indelibly powerful film. " "This is filmmaking of a high order. " -Wall Street Journal "Fascinating and delicately beautiful. " -Screen Picks "A standout performance by Mads Mikkelsen. " -NY Daily News "(Mads Mikkelsen) is as magnetically compelling. " "One of the best performances in the festival (TIFF)" -Roger Ebert "A devastating portrait of society's tenuous structure under the pressures of fear. " -Indiewire "IMMENSELY POWERFUL—OUTSTANDING. Mads Mikkelsen is one of the finest actors at work today. " -Phillip French, The Observer ". GRIPPING, UNBEARABLY TENSE, yet capable of great subtlety and nuance. Thomas Vinterberg has come storming back. " -Phillip French, The Guardian "5 out of 5 STARS. One of the year’s best films. It shares The Celebration’s devastating dramatic clarity. Mikkelsen gives a career topping performance. " -Robbie Collin, The Telegraph "RIVETING, propelled by a shattering performance by Mads Mikkelsen as the blameless man whose life threatens to be destroyed. Vinterberg’s best film since The Celebration. " -David Rooney, The Hollywood Reporter "A strong return to form for Thomas Vinterberg. " -Matt Mueller, Indiewire/Thompson on Hollywood "THRILLING AND COMPELLING. A stunning turn from the always excellent Mads Mikkelsen. " -David Voight, The Examiner "Engrossing and provacative. A devastating portrait of society's tenuous structure under the pressures of fear. " -Eric Kohn, Indiewire About The Film Lucas (Mads Mikkelsen), a highly-regarded school teacher, has been forced to start over having overcome a tough divorce. Just as things are starting to go his way, his life is shattered. An untruthful remark throws the small community into a collective state of hysteria. The lie is spreading and Lucas is forced to fight a lonely fight for his life and dignity. Cast & Crew Cast: Mads Mikkelsen Thomas Bo Larsen Annika Wedderkopp Directors: Thomas Vinterberg Written by: Tobias Lindholm Thomas Vinterberg.
Summer used to be the time for blockbusters, but the slow creep of all-summer-movies-all-year-long means that we know get a new Pixar film, a live action adaptation of a Disney classic and a sequel to a 2018 horror hit in…March. Also this month: a buddy film involving two frontiersmen and a cow; a sports movie doubling as a fallen star’s potential comeback vehicle; and a film deemed too hot for 2019. Here’s what’s coming soon to a theater near you. The Burnt Orange Heresy (Mar. 6th) The tough, funny crime fiction writer Charles Willeford has a near flawless record when it comes to adaptations (see: Cockfighter, Miami Blues, The Woman Chaser) — and this adaptation of the author’s noirish 1971 novel is likely to keep that winning streak going. Claes Bang (most recently seen in Netflix’s Dracula) is an art critic who’s fallen on hard times, which makes him a perfect patsy to be drawn into a dangerous game involving an art collector, a reclusive painter and your run-of-the-mill femme fatale. Elizabeth Debicki, Donald Sutherland and Mick Jagger, moonlighting from his day job, co-star. Expect twists within twists. The Climb (Mar. 20th) It began life as a seven-minute short film co-written by its stars, Michael Angelo Covino and Kyle Marvin, about two friends, a grueling bike ride, and a confession involving an affair with one man’s fianceés. Now, for the duo’s feature-length version, that self-contained revelation becomes the jumping-off point for a buddy comedy that ends up dealing with love, death, failure, and the way that male friendships often change and morph over the years. There’s a reason this little-American-movie-that-could has won over festival audiences from Cannes to Park City. First Cow (Mar. 6th) A mismatched pair of Oregon Territory settlers played by John Magaro and Orion Lee try to make their fortune by selling “oily cakes” to trappers and frontiersmen. In order to do that, however, they’ve got steal milk from the only cow in town during the dead of night. The fact that the secret of their success is owned by the richest man in town does not bode well. Director Kelly Reichardt returns to the wild, wild West she previously explored in Meek’s Cutoff, and delivers what may be the most unusual and moving buddy comedy of the year. It’s also proof that she’s one of the most exciting American filmmakers working today. The Hunt (Mar. 13th) It’s out of the ordinary for a President of the United States to send a film into exile…but who said we live in ordinary times? That’s more or less what happened to Blumhouse’s update of The Most Dangerous Game — shortly before its scheduled release last fall, Donald Trump raised objections to what some assumed was a story of privileged liberal elites hunting red-state captives for sport. (The fact that the release was scheduled close to a pair of mass shootings probably didn’t help. ) Directed by Craig Zobel ( Compliance), co-written by Damon Lindelof and Nick Cuse (recent collaborators on HBO’s Watchmen), and featuring a cast that includes everyone from Hilary Swank to GLOW ‘s Betty Gilpin, the movie is still likely to cause a stir regardless of any future comments from our commander-in-chief. Never Rarely Sometimes Always (Mar. 13th) Rooted in a different sort of divisive issue, this Sundance sleeper hit follows a pregnant teenaged girl named Autumn (Sidney Flanigan) and her cousin Skylar (Talia Rider) as they travel from small-town Pennsylvania to New York to secure an abortion. Director Eliza Hittman has a track record making sharp, observant character studies in films like Beach Rats, and this drama should introduce her to a much wider audience. The sequence in which you find out why the film has such a lengthy title is, in a word, devastating. Mulan (Mar. 27th) Last year’s The Lion King essentially ran the original Disney classic through a photorealistic filter. Directed by Niki Caro ( Whale Rider), this new take on their takes a slightly different approach. There’s no wisecracking dragon but its retelling of the legendary female warrior’s story will feature a lot of martial arts action and surround star Liu Yifei with Asian screen legends like Donnie Yen, Gong Li, and Jet Li. That seems like a fair trade. Onward (Mar. 6th) Set in a fantasy world that’s gotten tame over time, the latest from Pixar is just your usual movie about a pair of teenage elf (Tom Holland and Chris Pratt) who use a wizard staff to revive their long-dead father. This is one of two new Pixar films we’ll get this year (the other is this summer’s music-oriented Soul) — neither of them are sequels or, given the ambitious concepts, safe bets for the studio, which suggests the animation behemoth is entering a very interesting new phase. A Quiet Place Part II (Mar. 20th) John Krasinski returns to the world of his inventive 2018 horror movie to resume the story of the Abbott family (Emily Blunt, Millicent Simmonds, and Noah Jupe), resourceful survivors on an Earth that’s been devastated by hungry alien invaders with super-powered hearing. The original found clever ways to explore that scary premise. Whether or not this sequel can do the same remains to be seen (and heard), but it does add Cillian Murphy and Djimon Hounsou to the cast, which can’t hurt. The Truth (March 20th) The great Japanese director Hirokazu Kore-eda ( After Life, Shoplifters) ventures outside Japan to tell the story of a French movie legend (played by real-life French movie legend Catherine Deneuve) and her difficult relationship with her daughter (Juliette Binoche). Ethan Hawke and Ludivine Sagnier round out the cast, meaning Kore-eda should have ample support in translating transporting his delicate, moving style to a new setting. The Way Back (Mar. 6th) Attempting a comeback, Ben Affleck stars in a movie about a man, well, attempting a comeback. Specifically, he plays Jack Cunningham, a former basketball star who’s fallen on hard times after struggling with addiction. The film reunites Affleck with Gavin O’Connor, director of The Accountant, and seems like an ideal showcase the star’s acting chops, which have sometimes gotten overlooked in recent years — and one that will allow him to comment on his own recent struggles without talking about them directly.
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